Art Theory, BVA313,
Art Theory, BVA313, week 4
Today we are presenting some drawings of last weeks homework, that relates to my own works and creating i am making at the moment.
key words...
Identity
metamorphosis
two people becoming 1
visual embodiment of the portraits, combing 2 peoples names in a relationship
body parts
gender
curved
reminiscence of genitalia
bones and flesh
faces
femininity
creating own family
family name
how has identiy been formed in past and new ways to form it now.
sense of identity from who surrounds me
bonds and creation of family
family name
national identity
who you came from
mother figure in my life
how can i communicate a neo maternal relationship within the confines of a same sex, same age
femine theory about female relationships
contemporary friendship between ema and sam
connection of trauma between mother abandonment unit the triangle form of a friendship
form of a triangle
maternial
lisa rienhana
portriature of females
how female friendships are depicted from art history and female standpoint
skeletal forms is a foundation of the body
bones of the friendship are strong
organic forms
non sterotypical feminine forms
work shows the rare and raw emotions of female relationships past the surface level
finger painted
techniques performance aspect to the making of the art
examining as the artist to perform the painting - the script of the creation relating to the body that am painting and the body doing the creating
art block
deadline and working through my art block
angry
female artist that paint their feelings
atimesia detalinchi???
subjects that people are able to link back to the trauma of their experience
frida
about herselfs
personal body trauma emotional trauma and relationship trauma
all the different mark making corrasponds to hands
how i use hands as tools in a literal sense
finger becomes a brush
scraping tool
firmly in the 20th century
key artist model that is closer to me
art theorist that talks about emotion and trauma and using the body
litrature texts that relates to my work in a different way
creating a body around the key words
put words together to create a question that i then research
veiwership is the aspect
demanding that the veiwer look at the trauma and find the beauty thats in it
what am i asking people to see when they engage in the work
where the heart shows up and why were so attatched to it why it based and constitutes life
body surrealism
non traditional painted surfaces
what point did my work become mural
when does it become a sculpture
sculptural qualities between drawing and painting
how i am making my work and how their making in that way
walker art center
modern art museum in Minnesota usa - sculpture paintings video art
records of artist who work with their hands
spine keeps showing up - broken
broken family broken body broken mind - how torepair them
the aspect of 3. the symbol of three - comes up in three
Presentations:
Today we are presenting some drawings of last weeks homework, that relates to my own works and creating i am making at the moment.
key words...
Identity
metamorphosis
two people becoming 1
visual embodiment of the portraits, combing 2 peoples names in a relationship
body parts
gender
curved
reminiscence of genitalia
bones and flesh
faces
femininity
creating own family
family name
how has identiy been formed in past and new ways to form it now.
sense of identity from who surrounds me
bonds and creation of family
family name
national identity
who you came from
mother figure in my life
how can i communicate a neo maternal relationship within the confines of a same sex, same age
femine theory about female relationships
contemporary friendship between ema and sam
connection of trauma between mother abandonment unit the triangle form of a friendship
form of a triangle
maternial
lisa rienhana
portriature of females
how female friendships are depicted from art history and female standpoint
skeletal forms is a foundation of the body
bones of the friendship are strong
organic forms
non sterotypical feminine forms
work shows the rare and raw emotions of female relationships past the surface level
finger painted
techniques performance aspect to the making of the art
examining as the artist to perform the painting - the script of the creation relating to the body that am painting and the body doing the creating
art block
deadline and working through my art block
angry
female artist that paint their feelings
atimesia detalinchi???
subjects that people are able to link back to the trauma of their experience
frida
about herselfs
personal body trauma emotional trauma and relationship trauma
all the different mark making corrasponds to hands
how i use hands as tools in a literal sense
finger becomes a brush
scraping tool
firmly in the 20th century
key artist model that is closer to me
art theorist that talks about emotion and trauma and using the body
litrature texts that relates to my work in a different way
creating a body around the key words
put words together to create a question that i then research
veiwership is the aspect
demanding that the veiwer look at the trauma and find the beauty thats in it
what am i asking people to see when they engage in the work
where the heart shows up and why were so attatched to it why it based and constitutes life
body surrealism
non traditional painted surfaces
what point did my work become mural
when does it become a sculpture
sculptural qualities between drawing and painting
how i am making my work and how their making in that way
walker art center
modern art museum in Minnesota usa - sculpture paintings video art
records of artist who work with their hands
spine keeps showing up - broken
broken family broken body broken mind - how torepair them
the aspect of 3. the symbol of three - comes up in three
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